Most of us are delighted when a child shows an interest in music. But before choosing an instrument, ask yourself: where will this lead? If a child reaches out for harmony, do not miss the moment! This talent must be nurtured with the right tools.
Children absorb knowledge like a sponge. This is when motor and auditory memory, proper hand positioning, and musical ear are formed. The instrument must not hinder this development. If a violin is poorly constructed or set up, irreparable problems can arise at the level of muscle biophysics, leading to hand injuries and a lasting aversion to music.
A violinist's ear is also shaped by their instrument. A poor-quality violin with disharmonious overtones forces the brain to accept false intonation as normal. A good instrument fosters a refined ear; a bad one distorts it.
Crafting a high-quality small violin (1/4, 1/2, 3/4) is actually more difficult than making a full-sized one. Most mass-produced fractional violins break a child's developing ear. Our recommendation for those serious about their child's future is violins by the German master Laubach. These are the same instruments chosen by the world-famous Shinichi Suzuki school in Japan.
The legendary Russian pedagogue Galina Stepanovna Turchaninova, who trained stars like Maxim Vengerov and Roman Kim, personally tested Laubach violins and stated: "Laubach violins are a true find for talented students; I have yet to encounter anything better."
Niko Zakradze performs on a violin LIM 808 V 3/4
Nelli Efimova performs on a violin LIM 818 V 3/4
Ravil Islyamov performs on a violin LIM 808 V 3/4